Tuesday, July 20, 2004


MWAHAHA! #2



Now available is Mwahaha! #2 featuring Johnny Balbona! I'm not saying this because I'm a contributor, but I honestly think issue #2 is far funnier than the first one. I specially like the strips of Manny Francisco. Very funny! The new issue has a photo section, text jokes, spam jokes, a caption the pic contest, fun facts, DVD reviews, a letters page, and of course the strips written and drawn by the usual gang of idiots.

The format is smaller, which actually looks better. This issue is the debut of Mwahaha's mascot DUDAY, Mwahaha's Alfred E. Newman. I got a copy from Books on Bargain, but it will be available everywhere soon!

Saturday, July 17, 2004

Superman: Birthright #12

For those of you wondering why Superman Birthright #12 is taking a bit long to come out...worry not!

The art for the issue took longer to finish because it had more pages
than normal. Because it took me longer to finish inking,
everybody's schedule got pushed back. The art has long been finished
though, and I'm pretty sure it's coming out very soon. In fact, I
looked over Ebay and #12s are already up for auction. The endings for
them, I assume, would coincide with the release of the actual issue.

Friday, July 16, 2004

New Museum Feature



Starting today, a new feature is added to the museum. Once in a while, I will feature a particular comics issue and include high resolution scans of the cover and several selected pages from within. My first feature is Liwayway Magazine Vol. 2 #15, with a cover by Hugo Yonzon. Included are scans from Francsico V. Coching's legendary Hagibis comics strip, Islaw Palitaw, an early work by a still developing Larry Alcala, Kenkoy by Tony Velasquez, an ad illustration by Fred Alcantara, and "Mga Sulyap Sa Buhay" by Lib Abrena (see scan above).

Liwayway Magazine, published since the early 1920's and is still going strong, is widely considered as the magazine that gave birth to the Philippine comics industry.

The Philippine Comics Art Museum

Monday, July 12, 2004


"Comics Do Not Have Research Value"

If you are a publisher and you wish to publish a comic book here in the Philippines, it is preferable that you acquire an ISBN for stand alone comic books and an ISSN for serial comic books. An ISBN (International Standard Book Number) is a special number assigned to a single publication, like a book. This will facilite cataloging, inventory, and sales. If you wish to sell your book abroad for instance, an ISBN is essential if you wish to be carried by places like Amazon or Barnes and Noble. This ISBN is a simplified way of identifying your book and its exact edition. It is encouraged that all publishers use it, and in fact in certain countries, it is required by law.

In the Philippines, the local ISBN Agency is the National Library along Kalaw Avenue. If you try to apply for an ISBN, you will be in for the shock of your life. You will be told that comics are not allowed to have ISBNs or ISSNs because comics do not have "research value". They will not give it ISBNs because comics are not "books". Asked why comic books like Pugad Baboy have ISBNs, you will be informed that it was a "mistake". They will tell you that they based their policy on the International ISBN Agency's ISBN User's Manual published in Berlin, Germany.

This is based on the experience of several of my friends who have published their graphic novels and were denied ISBNs by the National Library. Some of them were eventually given their ISBNs, but with GREAT difficulty.

Incensed by this baffling series of events, I tried to learn all that is to learn about ISBNs from its history, to this "User's Manual" that National Library employees gleefully point to as their source of guidelines. I even wrote to the International ISBN Agency in Berlin to find out just what this is all about.

And what have I learned? It turns out the National Library people's assertions and policies are a whole load of HORSESHIT.

The Director of the International ISBN Agency himself, Dr. Hartmut Walravens wrote me back with the following reply:

Hi, Gerry!

You are quite right - ISBN is a technical identification tool without
any connection to the contents of publications. So if they are
monographs they are eligible for ISBN.
We will pass your message on to the Manila ISBN Agency, and I hope
everything will be all right!

Regards,

Hartmut Walravens


So the assertion of the National Library that ISBNs are not given to comic books because it has no "research value" is baseless. Their opinion, no matter how uneducated and unlightened it may be, does not have any bearing whether a publication is given an ISBN or not. Indeed, they are in NO position to deny ISBNs to any publication. All that matters is for them to follow the guideliness (if they even bothered to read them, and if they did, understand themn correctly) faithfully and decide what numbers to give, be they ISBNs or ISSNs.

The term "book" or "monographs" in the context of ISBNs, according to the manual, is meant to mean "publication" of limited, definite length. This includes pamphlets, maps, transparencies, books on cassettesm or CDs, CD Roms with text contents, Internet Publications and so on.

So their assertion that comics cannot be given ISBNs because they're not "BOOKS" is so simpleminded that it's mind boggling.

It's terriby frustrating when you encounter people so uneducated to be in power and in charge of something important for the county such as the dissemination of information and preservation of culture. For anyone in their position to believe that comics have no "research value" is insulting and dangerous. Their lack of respect for this material bodes ill for the preservation of a true artform.

Some with the power and the brains needs to fire these people immediately before its too late.

************************

I did not vote for Fernando Poe Jr., but times like this I wish he had won. It would benefit Philippine Komiks greatly. It's no secret that FPJ was a huge supporter of comics and the people who worked in it. He was friends with lots of comic book artists and writers and he would often hold parties in his home with comic book people as his guests. I heard he recently returned bound comic books to writer Pablo S. Gomez which had been given to him by the writer because he was concerned about damaging them, preferring to have photocopies instead. That simple act tells me that this is a man that has a huge respect for comics and considers them worthy of preservation.

Sunday, July 11, 2004


Museum Updates

Uploaded is artwork from Nestor Redondo from Tagisan ng Mga Agimat. Click HERE. It suddenly occurred to me that I have not yet done anything on Nestor Redondo on the site and I think its about time. A profile is forthcoming after I put up Javinal's.

I met with the Francisco V. Coching foundation this past week and I managed to secure permission to use Coching's art for the Filipino Komiks Art book. The prospect of compiling Coching's novels in complete volumes also looks very promising, although at this point anything can still happen. In case it does push through, Barbaro and El Indio are the first two novels that are in line. Which is what would personally choose as well because looking through the artwork on those two novels I was close to tears at the sheer beauty of it.

A note on the term "novel" as it is applied to comics in the Philippines: A typical comic book during the time of Coching had 60+ pages and they were all anthologies of 4-6 pages each per story. Any story that continued from one issue to the next was considered a "novel". Each novel usually lasted anywhere from 25-100 installments before finally finishing.

No compilations were really ever published that collects one whole story in one volume before. Comics writers or artists would make their own personal collections by cutting out their stories from the original comics and bookbinding them.

Tuesday, July 06, 2004


Federico Javinal 1


HOKUS POKUS
Pilipino Komiks #213, July 30, 1955
PANDORA
Pilipino Komiks #192, October 9, 1954

Me and Dennis Villegas visited Federico Javinal today in his home in Pasig. I had wanted to meet him because I consider him to be one of the giants of Filipino comics art and that I really wanted to include him in the Philippine Comics Art book. He began drawing comics in 1950 and he has amazingly continued to work and have his work published until illness forced him to retire just this year.

He is widely known as a frequent Francisco Coching collaborator, but I realy believe Federico has an identity of his own. Hearing him talk about Francisco Coching was kind of touching because his respect and loyalty to Coching is so obvious and apparent and he believes to this day that Coching was the greatest Filipino comics illustrator to ever live. Federico's desk is full of compiled Coching novels and he had stories for each and every one of them.

Sadly, he hardly remembers his own early novels like Bambino, Hokus-Pokus and Pandora, which are quite remarkable pieces of art on their own. He even said that if I didn't remind me of them he would have forgotten them all together.

I'm currently working on Federico's profile and I'll try to put it up soon....

Monday, July 05, 2004


KOMIKS!

I've run into some interesting local comics the past couple of months, most of them definitely interesting which I'll talk about a little bit in the next few weeks. One of my favorites has definitely been Reno Maniquis's MASKARADO:



4 issues are now available! I've yet to pick up my copy of #4, but I'll make sure I do very soon. Reading this series is such a trip because it's so reminiscent of classic Pinoy Komiks I loved, and still love to read. I've always entertained the idea of doing a comic book with 4-5 page increments ending always in "Itutuloy!" as a cliffhanger. I even thought of a classic-like Pinoy character: Angkan ni Kumander Kwago One day maybe, One day! For the meantime, I'll just enjoy Reno's Maskarado.

Recently released is SIKLAB, an anthology magazine of stories by long time Filipino comcis creators like Vincent Kua III, Randy Valiente, Romy Don, Buddy Paraiso, Lawrence Mijares and talented newcomers like Patrick Berkenkotter. I read through it and most of it is pretty good. Lawrence Mijares, posting as "Wilkins" in the message board, is responsible for some of the more active, much talked about, and at times controversial discussions there. Indeed, Siklab magazine contains some potentially controversial articles from the pen of of Mr. Mijares. I think it is good that certain issues of the Philippine comic book industry are so passionately addressed by him. He sheds light on things we either didn't know about, or things we should think more about.

Komikero Henry Anima II has released his first mini comics called Children of the Dam at the recent Toycon. It's written by a fella going by the name of OJ (Simpson? he.he.) and drawn by Henry. It's a very interesting story, very haunting and somewhat sad. I don't know where you can get a copy, but for certain you can get one from Henry himself by visiting his blog here.

Thanks to Mike Simbulan of Comicquest for giving me a bunch of free stuff last Saturday. I didn't know it was Free Comics Day, but I'm still grateful anyway. Those are a bunch of really interesting comics. I'll get around to reading them later later.

Tuesday, June 29, 2004


Museum Updates



Uploaded is Rudy Florese's profile with lots of artwork and a biography written by his daughter and my wife Ilyn. There are scans of original artwork from "Mga Kwento Ni Kengkoy" and Tarzan, as well as scans of promotional ads and comic book pages. Whenever possible, with regards to original art pages, I tried to include the cover of the comic book from which the art came from as well as a scan of how the artwork looks like in print.

This is also true for the latest featured artwork, this time from Alfredo Alcala from "Halik Sa Apoy".

http://www.komikero.com/museum/

I'll try to update the online museum as often as I can, when work permits. I'm currently working on a couple of scripts which are needed (like right now!), as well as finishing Peace Tree with David Hontiveros and my story for SIGLO: PASSION. There's also the third installment to Johnny Balbona for Mwahaha #3, as well as something for a super top secret project that I'm not yet at liberty to announce (because I still might get kicked out of it. he.he.)

Monday, June 28, 2004


Toycon 2004

Good thing I didn't flake out and skipped the Toycon. I had a great time!


The Komikero booth and the Kenkoy booth. Manning the Komikero booth here are Komikeros Jac and Jerald (and guest Lyra). Manning the Kenkoy booth is komiks art collector/publisher Dennis Villegas.


Komikeros Jonas, Jac and Jerald.


Wilson Tortosa (Tomb Raider artist), Carlo Vergara (writer-artist of Zsa Zsa Zaturnnah) and ME!


The con venue was was literally bursting at the seams with people! Divisoria at Megamall!!


Komikeros Raipo and Mylene having fun at the YoYo show.


Komikero Johnny and Mr. Vincent Kua III (Siklab)


One special event at the con was the launching of the 1934 Kenkoy Album reprint, the very first comic book in the Philippines. The event was graced by the extraordinarily energetic 80+ year old widow of Kenkoy's creator Tony Velasquez. Here she is being interviewed for UNTV, while Dennis Villegas looks on.


At the end of the con, Jonas collapses in a heap, drooling all over the original art.


Tired, me and Ilyn take a snack. Who is that girl in the background? She is actually smiling and posing for the shot and we didn't even see her.


Knowing that we will be staying really late in Manila for this con, me and Ilyn decided to get a room at a hotel near the venue. This is a shot from the 22nd floor the following day. Megamall, the venue of the con is on the extreme right.

Sunday, June 27, 2004


Philippine Comics Art Museum



There's not much there yet, and in fact it contains some of what the main Komikero site contains, but the Philippine Comics Art Museum is finally online.

http://www.komikero.com/museum

I'll work on the site whenever I get a break and I'm quite sure that by this time next year, the site will be pretty huge. I've already upgraded the account so the site can handle bigger files and bandwidth.

What's really new with the site is Noly Panaligan's profle which you can find here. This profile will serve as a template/format by which other profiles will follow and adapt. Speaking of Noly, I had the chance to visit the wake yesterday in Sucat. I really wish I could have met him in person. The family seems like such a good bunch of people. I was able to meet other komiks artists like Yong Montano, Angel Martinez, Rico Rival, Abe Ocampo, Noly Zamora, Ben Pabulos and this strangely, but amusingly eccentric painter by the name of Leonardo Cruz.

Toycon is today! See you all later if you're coming. For some strange reason, I don't want to go. I'm not really excited by it. I wish I could just stay home and sleep. Really. The other night I dreamt that I still wasn't finished with Birthright and I still have HALF an issue to finish. I woke up panicky and sweating.